Paul Haggis (Leaving Las Vegas) is trying to teach us in "Crash" how to write a movie without writing it.
"Crash" is a snippet of everyday Los Angeles life. If it were in Cebuano/Visayan and retitled accordingly, it would have been "Aburido."
It has all the trademarks of a Haggis independent: it looks like done in 16mm (like Leaving Las Vegas), improvisational, dramatic but quick, frank in the use of street language, gritty, probing and does not spoon-feed.
"Crash" may not be a great movie like "Leaving Las Vegas". But it has all the sentimental sweetness of grit and abandon. We feel re-freshed at the end but burdened with a heavy heart.