Well said ZOINKS -
To add on to your point on 40 (d band) ... they started up as a pure pop showband group, I guess it's just hard to get out of that vein kay di man gyud sila maayo mo himo ug kanta atung panahona.Â* Â*I remember them having a couple of females in the group.. one playing the keys and one doing the vocals (their Shakey's days).Â* Â*Not until the beginning or the local ground era did they start making originals.. this was after they dropped their female members ( RAIN, WHAT I SAY).Â* Yet, whenever they play a show.. it was mostly covers.. and they always have a long set since they were also always the show's HEADLINER. Naa gyud to silay potential kay they were great musicians.... katung si Troy pa ang vocalist, nindot kaayo ug stage presence kay season na kaayo siya no dala ug audience. Then there's Anot (Cebuano's version of THE EDGE), Lyndon, and Roy... seasoned musicians nga maayo sab kaayo sa stage, dili ra sa studio.
ETU had some great songs... I remember hearing "How Lucky You Are" (is this the right title?) on Y101 and never thought that it was local.Â* Â*He even had it harder than the other bands because he was doing it solo and relied on THE MONKS to back him up during his gigs.Â* I saw them play once (and only 2 songs at that) at BALLS.. great sound pero bitin kaayo.. duha ra ka kanta.
I also want to mention THE IRE: They only released a couple of songs or so but they were of quality.Â* Great sound, great musicianship, and great voice.Â* Sayang lang na they never had any more material for us to enjoy.
Not being BIASED - I also want to credit my brother (Kali) for pioneering Cebu's music revolution.Â* Like ETU, he also thought that making originals was the way to go.Â* Back then, originals being played on sets was unheard of.. but KALI and his band (The Tribe) was already making their own stuff on the get go.. heck they were probably the first, among local indie acts, to play originals on a show.Â* Â*But still, like the mentallity of local bands back then, the TRIBE insisted more on covering while Kali was going to a different direction... that's why he formed The Native Sun to pursue that vision.Â* Later, with that vision in mind, he built his own studio (JAM 73) to have a personal access to a recording facility instead of paying "MUTYA" their steep hourly rates (not to add the fact that JUN Las Pinas was very hard to talk to). He also helped local acts get their sound out.. he wasn't actually aiming to make a profit out of it but just enough to pay for his expenses.Â*