The Great Leonardo Da Vinci designed many weapons, including giant crossbows, machine guns, siege towers, cluster bombs and even a precursor to the modern-day tank.
1. Leonardo Da Vinci’s Terminator
Leonardo Da Vinci’s mechanical knight was not discovered until 1957, when Carlo Pedretti discovered it, hidden amongst Da Vinci’s countless designs. The mechanical knight, first sketched by DaVinci in 1495, was mentioned in 1974, in the Codex Madrid edited by Ladislao Reti, but there was no attempt to reconstruct it until 1996 when Mark Rosheim published an independent study of the robot, followed by a joint enterprise with the Florence Institute and Museum of the History of Science.
However, it was not until 2002 that Rosheim built a complete physical model of the robot for a BBC documentary. Since then, a soldier on wheels labelled, “Leonardo’s robot” has been included in countless exhibitions and museums.
In the 2007 Mario Taddei made a new research on Da Vinci’s original documents finding enough data to build a version of the soldier robot, more closely related to the original drawings. This robot was designed just for defensive purposes, not for war or theatre. Its movements are somewhat restricted since the arms only move right and left when pulled with a rope. This particular model is shown in various exhibitions around the world and the Tadei’s research results are published in the book, Leonardo Da Vinci’s Robots.
2. Machine Gun
The multi-barrelled machine gun was a weapon with remarkable firepower. Da Vinci sketched this rolling artillery battery around 1480 while in Florence, perhaps as a calling card to a warrior prince in need of a military architect. A hand crank adjusts elevation, and reloading is a major challenge ““ especially when under fire .
Though capable of rapid-fire which later model machine guns became noted for, this his housed an ingenious aiming and loading mechanism. By widening the field of fire, the fan-like shape of Da Vinci’s prototype made it a potentially effective weapon against a line of advancing troops. In addition Da Vinci’s design was easy to move around on the battlefield because it was lightweight and mounted on wheels.
3. Cluster Bomb
To make the bombard, or cannon, a weapon already known at the time, even more deadly, Da Vinci also designed large projectiles, comprised of round shells fitted around iron spacers and stitched inside a pliable casing. Once fired, this invention exploded into many fragments with that had greater range and impact than a single cannon-ball.
4. Scythed chariots
This is one of Leonardo’s most beautiful manuscripts. His sketches horse drawn reveal carriages covered with sharp, swirling blades that moved in the thick of battle slashing through everything in their wake. The rotating blades were specifically designed to sever the limbs from its victims. In one of his drawings, Da Vinci illustrated the carnage in such gruesome detail that his notation indicated that his contraption probably would wreak as much havoc on friends as on foes.
5. Barrage Cannon
This drawing is on of the first page of the Codex Atlanticus. The drawing itself is very complete and quite fascinating, illustrating the plan of a bombard with sixteen radial cannons. The most interesting aspect of the project is the centre of the bombard itself, housing a pair of mechanical paddles and gear wheels, providing only a partial glimpse of the possibilities of massive weapon.
6. Tank
This is perhaps one of the most famous of Da Vinci’s projects. His idea of reaping panic and destruction among enemy troops was envisioned in this tortoise-shaped vehicle, reinforced with metal plates, and ringed with cannons. In a job application to the Duke of Milan, Da Vinci boasted "I can make armoured cars, safe and unassailable, which will enter the close ranks of the enemy with their artillery, and no company of soldiers is so great that they will not break through them. And behind these the infantry will be able to follow quite unharmed and without any opposition." Da Vinci’s precursor to the modern tank surely could have created "shock and awe" on the 15th-century battlefield, the design contained some serious flaws. Even with several modifications to the original plans he continued to be faced with a number of unresolved problems and eventually abandoned the project.
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Leonardo Da Vinci - The complete works