"PROJECT GUITAR 101" guitar enthusiasts, collectors, mods and reviews

[arubinkun]

na kung presidente pamu sa pinas tanan funds padulong guitara haha

haha... shortage na tanan pero sa guitara dili...

[bryanarzaga]

haha... shortage na tanan pero sa guitara dili...

hahah kana jud, pero wala war kai cge ra mag jamming

[GOSPELofROCH]

nindta jud ana sa....nya butangan daun ug Ozzfest/Gigant/Downloadfest/etc. dri sa cebu wahahahahahahahahahaha

[stabwounds]

asa na man ta kakita ani ug phaser uy [br]Posted on: May 01, 2008, 11:03:48 PM_________________________________________________F YI lang walay lingaw

The Different Effect Categories
Effects fall into a number of categories, depending on how they achieve the sound they create. In a chain of effects (often called the signal chain) there is often an order of effects which will work best, or is most commonly used. These are listed below. However, this is not set in stone and it pays to experiment with the order of your pedals.

Lets take a look at the different types, what they do to the sound and some examples:

EQ/Tone controls
These effects can be placed almost anywhere in the signal chain to tailor the tonal response of the sound, but usually after compression. You will find that an equaliser may give a very different sound placed before another effect to the same equaliser placed after it. A good example of this is the guitar sound in the Dire Straits song Money for Nothing, where a Wah pedal is placed before the overdrive and used as a tone control (by leaving the pedal in one position). This boosts the midrange frequencies and the sound is then distorted. The distorted sound is equalised again to cut the midrange back down somewhat. This gives a sound where the midrange is more distorted than the other frequencies.

Dynamics
Usually a compressor or limiter is the first effect used. This helps to boost the signal level, which helps reduce the amount of noise generated by subsequent effects. However, they are sometimes used after effects which reduce or boost the volume level significantly, like modulation effects and wah-wahs.

Distortion
Distortion is usually placed after a compressor in the signal chain, this makes for a more sustained overdrive sound. However, will usually be before time-based effects like delays and reverb. Distortion thickens up a sound, adding in lots of harmonics. Because of this, their position in the chain can make a large difference to the resulting sound.

Modulation
Modulation effects are usually placed after distortion and before time-based effects. They can also be placed before distortion, which gives a much more subtle effect.

Pitch-based
Pitch based effects are usually placed after distortion effects and before time-based effects.

Level
Volume pedals are usually placed after distortion pedals and before any time-based effects, where they control the level of the signal. However, if you place them before a distortion, they will work to control the amount of distortion.

Time-based
Time-based effects such as delay and reverb usually come last in the signal chain. There is one exception - when you are using a delay to split a signal for parallel processing.

Noise gates
Noise gates are in their simplest form, merely a switch which gets rid of the noise you hear during quieter parts of a signal by muting (switching off) the sound. This effectively reduces the perceived level of noise in the signal.

Noise gates usually come after any effects which generate noise, such as distortion or modulation effects. They should always come before time based effects, as when they shut off the signal to block the noise, the delay or reverb will continue - making for a more natural sound. Most time-based effects are digital, and so generate very little noise anyway.

Better noise gates will feature a trigger input and output (if it is designed specifically for guitar, it will label these 'guitar in' and 'guitar out'). When a signal is applied to the trigger input, the gate opens (lets the signal through). This is particularly useful as you can use the pure, uneffected sound to control the gating of your noisy effects. This effectively eliminates any false triggering (where the gate will open because the noise level is so high, the gate thinks it is signal).

reference: http://www.ratcliffe.co.za/articles/effectchain.shtml

[raigo250]

phaser?swooooooosh?swiiiiiiiiiiiiiiiiiiirl....

[stabwounds]

phaser?swooooooosh?swiiiiiiiiiiiiiiiiiiirl....

yup katong gamit sa amorphis sa the orphan nga song

@bryan nag plano mi ni ron2x tukod banda bro mag meeting me tomorrow bout sa project ngita sad mi members

[raigo250]

dli man tanang phaser pareha og tingog..nkahimo ko og 5 different phasers ang ako fave kay katong naa sa videoclip..cool kaau to og tingog labi na og live setup

[stabwounds]

dli man tanang phaser pareha og tingog..nkahimo ko og 5 different phasers ang ako fave kay katong naa sa videoclip..cool kaau to og tingog labi na og live setup

yup nako mga gipangita ang MXR or
Electro-Harmonix USA Small Stone Phase Shifter Pedal

[bryanarzaga]

yup katong gamit sa amorphis sa the orphan nga song

@bryan nag plano mi ni ron2x tukod banda bro mag meeting me tomorrow bout sa project ngita sad mi members

woi, playdate hahha, ok kau bai. vids nya sa jamming!

[stabwounds]

woi, playdate hahha, ok kau bai. vids nya sa jamming!

amo pa gani sabutan hehehe gaan nya taka vid and recording :mrgreen: